cardi-up!

Last week I took the plunge and cast-on for the body of my mega cardigan project:

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It’s taken me that long to get up to the first body decrease! Granted, I have had a lot on my plate, trying to get several patterns out the door, working on a few proposals, and entertaining out of town guests. Still, I’m girding my loins and accepting that this project is going to be A Serious Commitment.

It is also going to be A Steeking Commitment:

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Yes, my heart does quail slightly at the idea of taking a pair of scissors to something that represents hours and hours of work. Still, I’ve successfully steeked smaller projects in the past, and the frequency with which this yarn devolves into a fuzzed together mess while being knit makes me confident that all will rub together into a big non-ravelling finish eventually. Stay tuned for the blow-by-blow documentation.

I also blocked the first sleeve, see how much nicer the pattern looks after some good old fashioned steam application?

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knittertainment, April roundup

I know I said I was going to post about my colorwork adventures today, but the grey cloudy weather made it impossible to get a good progress shot. So instead, another review of what I’ve been reading or watching while knitting lately:

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On top, we have The Flight of Gemma Hardy, by Margot Livesy. This book is the sort of light-but-not-too-light fiction that I really love. The plot is largely an update of Jane Eyre, set in 1950′s/1960′s Scotland, with a late-breaking detour to…Iceland. A bit of a twist there. Overall, Livesy did a pretty good job of the “update” job–while the plot parallels with Jane Eyre were numerous, there were also details and issues that Emily Bronte would likely never have touched on, and the writing and plot felt faithful to the time period they were placed in, rather than coming across as a 19th century series of events suddenly transplanted to the 20th century. My only major quibble with the book is that Gemma’s impetus for running off from her Mr. Rochester (Mr. Sinclair) seems much more trivial and contrived than Jane’s impetus for running from the original. Let’s just say it’s hard to top an insane wife locked in the attic and leave it at that, eh?

Next book is The Wild Rose, by Jennifer Donnelly. I would describe this as fairly light reading, despite the length. This is the third in the “Rose” series of books following characters in the Finnegan family and is loosely centered around the youngest Finnegan sibling, Seamie, though his two romantic interests, his extended family, a German spy who might actually be a double agent and various figures in the London underworld all receive considerable attention as well. Numerous plot twists abound, ensuring that although you think you know what ought to happen in the end, you can never be quite sure. A central feature in all three books is female characters with lives independent of their menfolk, so if you enjoy reading about women who can get on with life despite pining away for their lost loves, you might enjoy these books.

And then, the screen pieces, a couple of DVD sets!

Wish Me Luck: Originally filmed in the 1980s, this TV series is now available on DVD. The show is set during WWII and focuses on the efforts of the British to place undercover agents in France, with the goal of coordinating with the resistance and thwarting zee Nazis. Allegedly much of the series is based on real-life events, drawn in part from the memoirs of Nancy Wake (The White Mouse) and in part on an actual French resistance uprising in Vercors. I had mixed feelings about this series. Overall, I enjoyed watching it very much. However, the acting and storylines sometimes made it seem a bit like a parody rather than a serious drama.

Inspector Lewis: A spinoff of the Inspector Morse TV series, Sergeant Lewis has now been promoted and has his own sidekick, DI Hathaway. After hearing about this series on and off for the past few years, I pounced on the DVD when I recently saw it at the library. If you are a fan of the original Morse series, this new one will not disappoint. Still set in Oxford, still featuring fairly complex and somewhat intellectual mysteries. Initially I was a little curious as to how Lewis would fare in the central role, as in the original series he is often presented as a slightly clueless and plebian foil to Morse’s intellectual brilliance. The challenge has been handled quite neatly: Lewis has gained more insight into the criminal mind with experience and the passage of time, while the insights of a posh education are provided via ex-seminarian Hathaway. I still have one more DVD from this set to get through, and then I’ll be investigating the availability of other seasons in my library system.

What have you been reading/watching lately as you knit?

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quadratic rose

Remember when you were in high school, and you learned all about polar coordinates? And for the next week you and your classmates were all secretly trying to figure out what cool and pretty pictures you could make on the classroom stockpile of TI-83s, rather than paying attention to whatever it was you were supposed to be learning for that pesky state end-of-course exam? And how the polar rose was one of the most exciting things going that week?

No? Erm, okay, maybe there was just not much going on at my high school. Though apparently enough people are into it that Texas Instruments has a page with instructions on making one. Anyway, even though really, they have not much at all in common, aside from being abstract representations of roses, I was reminded of that when I finished up these:

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So I thought I’d treat you all to that little trip down my memory lane. Hope you enjoyed it! And that you enjoy the upcoming weekend–I’ll be back on Monday with an update on my massive Fair Isle cardigan project. I got some brand new needles for it on Wednesday!

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simple finish

Once I actually broke open my new ball of Sublime merino, finishing the hat was a snap:

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Despite all the cable work, it’s a very simple pattern and a very quick knit. Much like the scarf it coordinates with. This project was definitely also one of those cases where the yarn contributed to the ease of the project. It’s a real pleasure to knit with, and not at all prone to splitting, felting itself up to another piece of yarn, or inadvertently working itself into a tangle, so things just run smoothly along and before you know it–you’re done!

Although it’s not reversible, I did design the hat with the intention of having it mimic each view of the scarf, so you can see that there are two variations on the main cable motif:

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I’m putting the finishing touches on the pattern so expect to see it available for purchase sometime in May or June–just in time for those of you who like to get a head start on holiday gift knitting!

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more savory breakfasts: quinoa with kale and walnuts

I should probably just title my cooking posts: I am a kale addict, part ____. Because really, I am. I am also a breakfast addict, and in my ongoing quest for healthy, filling morning meals, I’ve whipped up this tasty concoction:

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Another savory breakfast dish, full of all sorts of good stuff: quinoa (a complete protein), kale (high in iron and general veggie goodness), and walnuts (one of the best sources of omega-3 fats out there for vegetarians). I went to town on the kale plants in the garden and cooked a big batch of this a few days ago, and have been eating it every morning since. Of course, it also works well as a lunch or dinner dish!

For 4 servings You’ll need:

1 very large bunch of kale (I would estimate around 1 lb), washed and cut into bite sized pieces
1 c quinoa, rinsed and soaked overnight
2 medium onions, diced
4 cloves garlic, minced
2 tbsp olive oil
1.5 c vegetable broth (or water)
1 c. walnuts
salt and pepper, to taste

In a medium sized saucepan, heat 1 tbsp of oil. Add half the garlic and stir quickly to coat with oil. Add the kale. Saute for 2-3 minutes, stirring occasionally, until kale has turned bright green and is just barely wilted. Transfer kale to a plate or bowl.

In same saucepan, heat remaining tbsp of oil. Add the onion and sautee for 3-5 minutes, until onion is soft and slightly clear. Add the garlic and saute for one more minute.

Add the quinoa and stir until all ingredients are evenly mixed. Add the vegetable broth. Allow liquid to begin bubbling, then reduce heat and leave covered for 15 minutes, until most of the liquid is absorbed by the quinoa.

Add kale and walnuts to quinoa mixture. Stir until ingredients are evenly mixed and heated through. Turn off heat, salt and pepper to taste, and enjoy!

P.S. Consider eating this dish with an orange on the side, the vitamin C will help your body to absorb more of the iron in the kale!

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color color color

I seem to be in a stranded knitting stretch at the moment, with lots of multicolor projects in the works or recently completed!

My Cocoa Rosa gloves are all done, and I had enough yarn left to make a pair of mitts with the color scheme reversed:

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And, I cast on for a potentially epic cardigan:

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I’m a little nervous about this one, it’s definitely one of my most involved projects to date. Still, it hasn’t stopped me from sketching out and planning several MORE colorwork projects to work on in the future.

I’ve heard people say that individual knitters tend to stick pretty closely to either texture or color knitting. I have to say though, that I love both. I do tend to go through phases though: for a few months I won’t be able to get enough cables, then I can’t get enough of color mixing, then I think I might want to try out some lace, and so on. My thinking on it is that once you’ve come up with one idea for using a technique, it acts as a trigger and gets you thinking about other ways to use that technique. And then you’re on it until your next flash of interest in something new hits. I feel like my knitting does have some common recurring themes, but I am not really a signature “color” or “cables” or “lace” person. Or at least, not yet. How about you? Is there one technique that you work in almost exclusively? Or do you like to try a bit of everything?

Posted in accessories, cardigans, colorwork | 2 Comments

New knitscene, new pattern! Halesia Tam

When I downloaded the themes for Knitscene’s summer 2012 issue last year, I was psyched to see that they were thinking of a storyline centered around leaves. I’ve taken several botany classes over the years and I’m always doodling leaves, vines, trees, and flowers in the margins of my notebooks. Oh, and my favorite color is green, very appropriate.

And thus, the concept of the Halesia tam came to fruition:

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This design actually rose out of the ashes of another idea that didn’t work out so well–while I love the idea of large, complex leaf motifs, it can be hard to create the right knitting canvas to frame them in. This motif strikes a nice balance: it looks distinctly leaf like, but it’s not overly detailed or busy:

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The pattern is charted and a fun, quick knit. There are a few little construction details, including a knitted hem. Although this hat is knit all in one color, the hem would be a great place to use up a little leftover yarn and make a contrasting interior edge! I love the Blue Sky Alpacas Cotton yarn that was chosen for the sample piece, vibrantly colored and very easy on the hands (a critical consideration with cotton yarns!):

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I also love the adorable care instructions BSA uses on their yarn:

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So true, right?

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Book Review: 200 Fair Isle Motifs

Like many knitters, I love the look of beautiful, intricate colorwork. You know the kind I’m talking about. Fine gauge, perfect balance of colors, subtle patterns hidden within the larger and more obvious ones. Creating these kinds of pieces is like making a piece of art, and therefore must require some serious creative genius, right?

Well, it could. Or you could also borrow from the genius of someone else, seeing as how said genius has so thoughtfully packaged up so many of her insights into one tidy little book:

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I’ve long been an admirer of Mary Jane Mucklestone’s beautiful colorwork designs (also, I wish I had a name a cool as hers…but I digress). Seriously. The woman has an amazing sense of color! So when a friend showed up at knit night with the book 200 Fair Isle Motifs and I saw who the author was, I knew I had to get a copy of my own.

Fortuitously, I also had a good reason to give the book a bit of a test drive, as this Cascade 220 recently fought its way to the top of my stash pile and has been demanding attention:

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I broke out some needles, flipped open the book, and sat down for a weekend of reading, charting, and swatching.

My verdict? This book is pretty awesome! It does, as promised, contain 200 fair isle motifs, but there is also a great information section preceding the actual motifs. This more text-y section has great info on planning a fair isle piece, steeking, mixing and matching motifs, and color theory to help you plan the palette for your own fair isle piece:

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And then, of course, lots of eye candy with the actual motifs:

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There were a couple of things I really liked about the motifs section. First, many of the motifs have alternative colorways charted, which really highlights the dramatic changes you can effect in a motif with just a few color tweaks. Second, each motif also came with a black and white chart that made the basic structure of the motif much easier to see, which again provides a great jumping off point if you want to start playing around with colors.

So, have I figured out what to do with all that Cascade yet? Not quite, but I’m definitely making progress:

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mmmmmmerino!

This week I finally hauled myself to the yarn store and picked up this little ball of awesome:

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Sublime merino DK, in dusty grey. I loooooooooove this yarn. Seriously. It’s so smooth and soft, a nice basic yarn. And now that I’ve got this one ball, I can finally pull something out of the languishing project basket:

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Remember this hat? It’s to coordinate with this scarf, a nice little cabled set. I have a couple of road trips coming up, so this will be coming along as a perfect little car knitting project. Hopefully I’ll be back with some finished photos soon!

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fingers! for frogging…

Last night I knocked out two fingers (and the thumb) on the right glove:

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Yay! Right? I was really speeding along on these things. This morning I was setting up for the middle finger and thought to myself “Hmmm, there seem to be an awful lot of live stitches left. And indeed, there were. A few too many.

I have a policy with designing and knitting sample pieces, that I manage to self-enforce fairly strictly: No knitting before writing. That is, I have to write up a pattern sectio (in all the sizes) before I start knitting it. The problem with this, I find, is that the numbers associated with the smallest size often get stuck in my head. And that’s what happened here. I went on autopilot and knit a pinkie and ring finger for the extra small size, even though I’m actually knitting a medium. Ooops. Good thing fingers are a quick knit!

Have I mentioned these gloves also have colorwork on the palm? Because they do:

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